el guion

Este es un guion del libro :WORKING METHOOS, unos ejercicios que empeze a hacer, espero me salgan bien. los bocetos thumbnails y las paginas las ire colgando en mi blog de dibujo

Script: Paddy


PAGE 1

Note: Tbis segment is seen as a flashback with Captions for dialogue until we cut to present-day.


Panel 1: Black panel with a small point oflight. This is a tunnel opening.

Voice: What happened then, Paddy? Once you were in lhe car.
Paddy: He said she'd have to be dispached. that was the word he used. "dispatched"-


Panel 2: We now see the tunnel opening dearly. Vague hint of the city.

Paddy: Like 11 telegram full of bad news.


Panel 3; POV int. car. We see the tunne and see that we are on a curving two-way street along the edge of Central Park in New York City.

Paddy: He gives me the loww-dovm, how sbe's the prosecution's star witmes, blah, blah. You know the drill.
2: Hands me a photo.


Panel 4: Out first good look at the car and its occupants: A goon is driving. Another goon is riding shotgun aud keeping an eye out. Yet another goon (Paddy) is looking at a snapshot. The fourth guy is me Big Boss: classier, older tban the others;. The time period is me 1930S or '40s. Classic gangster periodo

Paddy: And I know her.

Panel 5: The snapshot held in Paddy´s hand.

Voice: Well?

Paddy: Not really. To say bello to. She lived on the street.


Panel 6: The car pulls to the curb outside a subway entrance.

Paddy: She was a neighbor.



PAGE 2

Paddy makes his way down into the subway and waits for the woman to show up. It's rush hour; lots of people are getting off work. He sees the woman coming onto the platform from a stairway.
The woman waits among the crowd at the edge of the platform for the train. Paddy moves into position behind her.

Voice: So, what did you do?

The train is entering the station. He pushes her.

Paddy: Myjob.



PAGE 3

Panel 1: Many years later. Paddy is much older but recognizable, leaning against a large oak desk in a nicely appointed office. Young (mid-twenties) goons are clustered around him. Another older guy stands by the door.

Older guy: All right boys, let´s break it up. It´s still a workin' day.

Panel 2: Paddy stands and takes a drag on a cigarette. The others start to leave the room. Older guy singles one out.

Older guy: You've got the Keller delivery, right?
Goon: Right, no sweat.

Panel 3: Older guy speaks to Paddy from the door as the others finish exiting. Paddy is behind the desk, looking out the window.

Older guy: Okay ifI take off? I promised marsha l'd give her a ride to La Guardia.
Paddy: Sure.

Older guy: I'll be back in a couple ofhours.

Panel 4: Ext. Guys are leaving big, nice house and getting into cars. Some are laughing or smiling. Paddy watches from an upper-story window.

Panel 5: Back in the office. Paddy is alone as he takes another drag on a cigarette while pulling a snapshot from a drawer. Panel 6: Paddy sits behind the des k and contemplates the snapshot.